If we took a holiday
Took some time to celebrate
Just one day out of life
It would be
It would be so nice
Everybody spread the word
We're gonna have a celebration
All across the world
In every nation
It's time for the good times
Forget about the bad times, oh yeah
One day to come together
To release the pressure
We need a holiday
If we took a holiday
Took some time to celebrate (Common let's celebrate)
Just one day out of life (Holiday)
It would be
It would be so nice
If we took a holiday (Oh yeah, oh yeah)
Took some time to celebrate (Common let's celebrate)
Just one day out of life (Just one day out of life)
It would be
It would be so nice
You can turn this world around
And bring back all of those happy days
Put your trouble down
It's time to celebrate
Let love shine
And we will find
A way to come together
And make things better
We need a holiday
If we took a holiday (Holiday)
Took some time to celebrate (Common let's celebrate)
Just one day out of life (Just one day out of life)
It would be
It would be so nice
Oh yeah, oh yeah
Common let's celebrate
We have got to get together
Holiday, celebrate
Holiday, celebrate
If we took a holiday (Oh yeah, oh yeah)
Took some time to celebrate (Common let's celebrate)
Just one day out of life (Holiday)
It would be
It would be so nice
(Holiday)
Oh yeah oh yeah
(Celebrate)
Common let's celebrate
(Holiday)
Just one day out of life
(Celebrate)
It would be so nice
(Holiday)
Holiday, celebration
(Celebrate)
Come together in every nation
(Holiday)
Holiday, celebration
(Celebrate)
Come together in every nation
(Holiday, celebrate)
(Holiday, celebrate)
We've got to get together
Take some time to celebrate
(Holiday, celebrate)
(Holiday, celebrate)
Just one day out of life
It would be so nice
(Holiday)
Holiday, celebration
(Celebrate)
Come together in every nation
Credits
Written by Curtis Hudson and Lisa Stevens
Produced by John -Jellybean- Benitez
Drums, moog bass, synthesizer, fender rhodes and acoustic piano by
Fred Zarr
Guitars by Curtis Hudson
Bass by Raymond Hudson
Percussion by Bashiri Johnson
Cowbelle by Madonna
Background vocals by Madonna, Tina B., Norma Jean Wright
For You Can Dance:
Additional production and remix by John -Jellybean- Benitez
Holiday
was the real first single from the first album, released in the fall of 1983. Although it's an anthem among fans,
it didn't chart very well; it reached only #16 on the US Billboard
chart. It did better in the UK (#6) and Australia (#4). It re-entered the UK chart in 1985 (when the debut album was re-issued), making it to the #2 spot (stuck behind her own smash hit Into The Groove).
There was a UK re-release to promote The
Immaculate Collection in 1991 (with a #5 peak). Charting together with Lucky Star, it became her first #1 on the Hot Dance / Club Play chart, holding the top spot for 5 weeks. But it's the live performances
that made the song so well-known. Holiday was performed on Madonna's first 6 tours and except for the Virgin
Tour, it was always used as one of the final songs to end the
show with a dance classic.
Video
The
original video for Holiday was reportedly so bad that it was never
released. Instead the recording of a television performance was
used. The performance of Holiday on the Blond
Ambition Tour in Houston was taped by Alek Keshishian and released
in 1991 (to promote the single re-release and the Truth or Dare documentary). Even the videos say so; you have to listen to Holiday live
and dance along.
Tour
The Virgin Tour
was the only tour that placed Holiday in the beginning of the
show. It was the second song in the setlist. Still wearing the
colourful jacket, Madonna does a light-hearted choreography with
her two dancers to a version similar to the one on the album.
She even takes a break during the performance to talk to the audience.
On the other tours it was always among the closing numbers.
Same thing for the Who's
That Girl Tour where Madonna ends the song twice, then continues
for more. Finally, she asks the audience for a comb to fix her
messy hair, so she can finish the song. This version was much
more rock sounding featuring a lot of guitar. As it was performed
after then-current megahit Who's
That Girl, Madonna cemented the tradition of ending her shows
with a combination of songs from both ends of her career.
On
the Blond Ambition
Tour, Holiday turns into a pyjama party, with Madonna in white
pants and polkadot blouse and all the dancers in pyjamas dancing
around on stage. The crowd goes wild, partying along, and Madonna
asks to "do the bus stop". The performance is so energetic
that it's used on music channels for the re-release of Holiday.
Holiday
receives a very alternative remake for the Girlie
Show. Dressed in long navy coats and with a large American
flag in the background, Madonna and her dancers perform a military
version of the song. The strict percussion soon has to give in
to the dance tones. It gets total fun when they turn it into a
jam, mixing in a military cadence. Madonna pauses the song for
a military drill with the dancers and the audience. At the end
of the song - which is also the end of the show, before the encores
- they all start goofing around, jamming in a rain of confetti
strings. As Madonna refuses to leave the stage in a kind of James
Brown imitation, Niki & Donna end up chasing her and carrying
her off stage.
The
Drowned World Tour
hardly featured any of Madonna's 80s classics, but what would
a Madonna tour be without Holiday! Wearing a black shirt with
'mother' in front and 'f*ckers' on the back, and a white fur coat
on top, Madonna chooses this 18-year old dance song to end her
show. She, Niki and Donna rock on stage and the crowd goes hysteric.
This ghetto-pimp version uses samples of Stardust's 'Music Sounds
Better With You' (inspired by an unofficial mash-up of the songs).
The
sixth tour performance was on the Re-Invention
Tour where it was the final song of the show. 21 years after
its initial release, Holiday is now re-invented into a tribal song,
which features Madonna and her dancers in white shirts and a long
Scottish kilt. They start off sitting down on stage doing moves
to the tribal beat, which then gets them into a cool group dance.
The catwalk comes down again and they jump and dance around on top
of it while confetti is shot in the air. At the end the tribal beat
turns into a fading heart beat as Madonna and her dancers disappear
behind the big screens.