Today is the last day
That I'm using words
They've gone out
Lost their meaning
Don't function anymore
Let's
Let's
Let's get unconscious honey
Let's get unconscious honey
Today is the last day
That I'm using words
They've gone out
Lost their meaning
Don't function anymore
Traveling
Leaving logic and reason
Traveling
To the arms of unconsciousness
Traveling
Leaving logic and reason
Traveling
To the arms of unconsciousness
Let's get unconscious honey
Let's get unconscious
Let's get unconscious honey
Let's get unconscious
Words are useless
Especially sentences
They don't stand for anything
How could they explain how I feel
Traveling, traveling
I'm traveling
Traveling, traveling
Leaving logic and reason
Traveling, traveling
I'm gonna relax
Traveling, traveling
In the arms of unconsciousness
Let's get unconscious honey
Let's get unconscious
Let's get unconscious honey
Let's get unconscious
And inside
We're all still wet
Longing and yearning
How can I explain how I feel
Let's get unconscious honey
Let's get unconscious
Let's get unconscious honey
Let's get unconscious
Traveling, traveling
Traveling, traveling
Traveling, traveling
Traveling, traveling
In the arms of unconsciousness
And all that you've ever learned
Try to forget
I'll never explain again
Credits
Written by Nellee Hooper, Björk and Marius DeVries
Produced by Nellee Hooper and Madonna
Nellee Hooper had written this song with Björk and then brought it to Madonna, who recorded it because she thought it was 'astonishing'. It eventually inspired the album title and in
the spring of 1995 Madonna released it as third single. The trancy sound can be seen as an early preview
of Madonna's electronic pop which she used years later on Ray
Of Light. To promote the Bedtime Story single, Madonna held
a pyjama party with friends and fans. It didn't boast sales though:
the single only reached #42 in the US, ending Madonna's record
of 32 consecutive top 40 hits. In the UK it got to #4 and in
Australia to #5. The only successful charting was in the Hot
Dance / Club Play, where it reached #1. Madonna realized that the
song was mostly popular with dance audiences and gave a stunning
performance of the fantastic Junior's Wet Dream Remix at the 1995
Brit Awards. » Buy on Amazon
Video
The
Mark Romanek video is - like the song - one of Madonna's most
experimental. It visualizes the concept of the song, showing images
that seem like a dream or some other state of 'unconsciousness'.
Madonna - wearing a variety of spectacular blond wigs - floats
through the air, gives birth to doves and lays down on a surreal
operation table. At the end of the video, her face is shown, with
eyes and mouth in switched position, inspired by Frida Kahlo's
paintings. The video - with a rumoured budget of $2 million being
one of the most expensive music videos of all time - was subject
to many discussions among fans. It has earned a place in the Museum
of Modern Art in New York City. » Watch on Youtube
Tour
This
song was skipped on the Drowned
World Tour, but it was the only track from the Bedtime
Stories album that was included in the Re-Invention
Tour setlist. But then it still wasn't a live performance. However,
the stunning video, set to the Orbital Mix, easily made up for that.
Having the same mysterious feel, it gives a nod to the original
Bedtime Story video along with the Human
Nature video. It shows M with straight blond hair, completely
dressed in white and her reversed reflection, which gives a great
effect. All through the video, there's a white horse running up
a hill. Director Dago Gonzalez saw the mare as a mirror soul of
Madonna: beautiful, strong, indomitable and elegant. The interlude
video allows her to keep eye contact with the audience while being
off stage to change clothes. Meanwhile on stage, 3 female dancers
performed on large swings, sometimes coming over the heads of the
people in front rows. At the end, the large front screens cover
up the stage like at the beginning of the show.