Remarks: The
tour was scheduled to start in Cologne, Germany. However, both shows
were cancelled because preparations for the tour weren't finished.
Madonna
had to cancel her second show in East Rutherford, because she was
suffering from laryngitis. Her first show in Boston was postponed
for one day.
Her
LA show on september 11th was cancelled because of the terroristic
attacks on the US. It was rescheduled on the 15th.
The
2nd show in Detroit was recorded and live broadcast on TV network
HBO. The same show was later released on VHS and DVD.
The first part
of the show is heavy cyberpunk and -as she'd call it- acid rock.
Madonna appears on stage wearing a Scottish kilt with underneath
black trousers. She has a black top with zippers across, and with
a see-through sleeve on her left arm. Her right arm is uncovered.
She has a bandage on her fore-arm, not from an accident, but to
avoid irritation from playing the guitar. Her hair is straight
blond, pretty much like the WIFLFAG
video.
While she wore a red kilt and black shirt in Europe, she changed
to a black & white kilt and polka dot shirt for the US leg.
For some shows she even sported another alternative outfit. As
the tour progressed, her hair style seemed to get wilder with
every show.
During Paradise
Madonna's not seen on stage. There's only four dancers on stage
and Madonna on the big screen, in a fantastic prerecorded video.
This gives Mo the opportunity to change outfit backstage. Then
she appears on stage with a Geisha outfit designed by Arianne
Phillips, with 26ft-long sleeves, that slide off during Frozen.
She also sports the black wig we remember from the Nothing
Really Matters video.
During the dance
remix of WIFLFAG
Madonna again disappears for an outfit change. The third part
of the concert shows her as a cowgirl, wearing a black leather
jacket over a shirt with a US-flag motive and mud-splattered jeans.
This cowgirl outfit was provided by designers Dean and Dan Caten
of D² (D Squared).
The Spanish part
of the show is introduced by an instrumental interlude of Don't
Cry For Me Argentina. Afterwards Madonna comes out of a big
box, wearing a stunning black Gaultier dress with straps over
her bare back. She has her hair tied in a bun. For Holiday
she's wearing a little red hat (which later is thrown in the public)
and a white fur coat. Underneath she has a black shirt with the
word 'mother' written on it. No time for sweet cakes though, as
the back of her shirt reads 'f*ckers' plus another 'fuck off'
on her guitar strap. Good ol' Maddy!
Christian
Vincent
Tamara Levinson
Ruthy Inchaustegui
Nito Larioza
Marlyn Ortiz
Anthony Jay Rodriguez
Kemba Shannon
Eko Supriyanto
Addie Yungmee
Jamal Story
Jull Weber
Hamish
Hamilton
Jamie King
Alex Magno
Kelly Parker
Debra Brown
Leslie Dewhurst
Joyce Flemming
Tif'nie Olson
Stefanie Roos
Broadcast Director
Stage Production Director
Choreographer
Assistant Choreographer
Aerial Choreographer
Assistant Aerial Choreographer
Creative Technical Consultant
Assistant to Director
Associate Choreographer
Arianne
Phillips
Jean Paul Gaultier
Dean and Dan Caten of D²
Designer
Designer
Designers
William
Orbit
Mirwais
Pat McCarthy
Mark Stent
Engineer
Engineer
Engineer
Engineer
Taimak Guerreillo
Ho Sung Pak
Caresse Henry
Shari Goldschmidt
Richard Feldstein
Leeann Hard
Liz Rosenberg
Chris Littleton
Luigi Murenu, Rita Marmor
Arianne Phillips
Klexius Kolby
Julie Harris
Joseph Kale
Peter Morse
Jake Davies
Carol Dodds
Edwin Stern
Kevin Reagan
Rosie O'Donnell
Martial
arts coordinator
Assistant to martial arts
Management
Business Management
Business Management
Business Management
Publicist
Tour manager
Artist hair stylist
Tour Stylist
Make up designer & supervisor
Artist make up
Art director
Lighting director
Sound design
Video director
Yoga instructor
Tour book art direction / design
Cover photo
Madonna's
DROWNED WORLD Tour has over 100 tons of equipment. It takes two
747 jumbo jets to fly the equipment to between continents. Eight
trucks will bring the equipment from venue to venue. The
tour has over 100 tons of equipment. It takes two 747 jumbo jets
to fly the equipment between continents. Eight trucks will bring
the equipment from venue to venue. The
equipment fits into 1500 trunks. The
stage is 70 square feet by 70 square feet, i.e. 4,900 square feet. There are 88
traveling production people. The
total traveling group is close to 200 people. 100
local production people are hired for each show. Regarding
the technology and equipment, it is state of the art, newly made
and never before used by an artist or group in Europe. It is a "less
is more" philosophy. While it may not have the biggest number
of speakers of any tour, the sound quality is crystal clear and
of the highest possible quality. The
creation of the sound requires 103 "inputs"/signals. All
Madonnas studio engineers who worked on her last two albums
including Pat McCarthy, Spike Stent, Mirwais, William Orbit amongst
others had input in creating the "marriage" of a studio
and flawless live quality sound in concert setting. There
are four large video screens on the stage and two in-house screens
for close-up viewing. The
mechanical bull was manufactured in Cheyenne, Oklahoma and was blessed
by a priest there prior to being shipped to Los Angeles for rehearsal.
The seat was designed to fit Madonna perfectly. The
flying sequence in the "Geisha Girl" section is a "Peter
Pan" style fly rig single cable, non mechanical. Three
flying people balance offstage with each of the three flying people
including Madonna. Favorite
backstage drinks: Red Bull and Starbucks Cappuccino. Favorite pill:
Advil which is purchased by the case.