As the tour name
suggests, Madonna proves she can be blond (feminine) and ambitious
(masculine) at the same time. She translates this gender play by
wearing a sexy corset underneath a blue suit. Nobody better to design
her transgender costumes than Jean-Paul Gaultier.
During Express Yourself,
the jacket comes off to fully reveal the pointy bra corset, representing
the Man Machine from Metropolis, the movie that served as inspiration
for both the music video and the factory stage design in the opening
segment. For the third song, she covers back up with a black track
suit jacket, featuring red, yellow and whites stripes.
Blond ambitious Madonna wears a long blond pony tail extension.
On the European leg, the pony tail is gone in favour of a curly
but still blond hairdo.
For the first time she uses the headset microphone, which in the
industry from then on will get the name "the Madonna".
The second segment
opened with the raunchy and controversial performance of Like
A Virgin on a velvet red bed. The golden pointy bra corset by
Gaultier would become one of Madonna's most notorious signature
costumes of her career.
As the stage gets a more religious setting, Madonna dresses accordingly
in a less skin revealing black robe, enlaced with an M on the back.
Around her neck she wears a rosary. For Papa
Don't Preach, she takes off the black robe except for the see-through
gown.
To promote the release
of her latest flick, Madonna dedicated an entire segment to Dick
Tracy. To honour the character of night club singer Breathless
Mahoney, she wore a green showgirl outfit. Only for the first song,
she covers up with a long black gown. The theater curtain in the
background tops off the cabaret atmosphere. Both stage and choreography
are inspired by classic movie performances of Fred Astaire and Ginger
Rogers.
Mocking the Material
Girl nickname, Madonna appears with her buddies Niki and Donna,
dressed in flashy pink bathrobes and wearing hairnets, all in a
beauty salon setting. Halfway through the song, she reveals a pink
coat, embroidered with dollar signs. Cherish
is performed without that pink coat, only featuring a black corset
and the fluffy pink fur. For the segment finale, Madonna is dressed
only in black undergarments. The stage setting is influenced by
art deco paintings of Tamara De Lempicka.
Madonna
re-appears for a first encore in what looks like black and white
polkadot pyjamas. The grand finale however is a lot more stylish,
with black bustier and bowler hat, highly inspired by Liza Minelli's
Cabaret. The choreography with all the dancers uses black chairs
as centerpiece.
Luis
Camacho
Oliver Crumes
Salim -Slam- Gauwloos
Jose Gutierez
Kevin Stea
Gabriel Trupin
Carlton Wilborn
Dancer
Dancer
Dancer
Dancer
Dancer
Dancer
Dancer
Madonna
Vince Paterson
Christopher Ciccone
Jai Winding
Jean-Paul Gaultier
Marlene Stewart
Freddy DeMann
Director
Choreographer & Co-director
Artistic director
Musical director
Costume designer
Additional costumes
Personal manager
John Draper
Chris Lamb
Mike Grizel
John McGraw
Peter Morse
Joanne Gair
Julie Cherrow
Robert Parr
Pamela Gatell
Liz Rosenberg
Tom Hudak
Mark Micoli
Tour manager
Production manager
Road manager
Set designer
Lighting director
Make-up and Hair
Massage therapist
Fitness trainer
Ambiance
Publicity
Stage manager
Video director